The First Photos From DRACULA 3D

Written By: Ken Hulsey

Source: Total Film

Classic movie monsters are all the rage these days with studios climbing all over themselves trying to make a new "Frankenstein" movie, Universal trying to get "The Wolfman" right, Legendary pictures making a new 3D "Godzilla" movie, a "Creature From the Black Lagoon" remake about to get under way, and enough Bigfoot movies to beat the band.

In prior articles I have talked about film maker James Baack's homage to Hammer horror films "Dracula's Orgy of the Damned" which of course features yet another classic movie monster Dracula. Now it seems that Baack is not alone in his quest to revisit the feel of 60s and 70s UK horror. Director Dario Argento is also well into production on "Dracula 3D" which from the looks of it has Hammer written all over it.

The film stars Rutger Hauer as Van Helsing and Argento's daughter Asia as Lucy.

It's normally a bad sign when a film maker casts his own family members in his films so watch out.

Here is the plot:

TRANSYLVANIA, 1893.

One night in the woods adjacent to Passo Borgo, at the foot of the Carpazi mountains, a couple of young lovers, Tania and Milos, secretly meet. On her way home, Tania is chased and overcome by a "dark shadow" that kills her. In those days Jonathan Harker, a young librarian, arrives at the village hired by Count Dracula, a nobleman from the area. Tania's body mysteriously disappears from the cemetery. In the meantime Harker, before going to Count Dracula's castle, takes the opportunity to visit Lucy Kisslinger, his wife Mina's best friend as well as the daughter of the local mayor.

Upon arriving at the castle, Harker is greeted by Tania, brought back to life from the dead and made vampire, who tries from the very beginning to seduce him; however they are interrupted by Dracula's entrance welcoming Harker. The following night Tania tries again to bite Harker, she is close to his neck when she is stopped by the count who gets the upper hand and it is he himself who bites Harker's neck, however allowing him to live. The following day, weakened but still conscious Harker attempts to escape, but as soon as he is outside the castle a large wolf with a white lock assaults and savagely kills him. Meanwhile, Mina, Harker's wife, arrives in the village and is guest for a few days at the home of her dearest friend Lucy Kisslinger, who will also be bitten and vampirized. The day after, Mina, worried about her husband, goes to Count Dracula's castle. Their encounter makes her forget the reason for her presence there. She is completely under the count's influence; the count had orchestrated the events leading up to their encounter; in fact Mina looks exactly like his beloved Dolinger, who died some centuries ago. Upon her return to the Kisslinger house, Mina learns of the death of her dear friend Lucy. The sequence of such strange and dramatic events summons the aid of Van Helsing, vampire expert of the techniques used to eliminate them. Van Helsing, aware of the circumstances decides to act swiftly and prepares the tools needed to combat vampires. He directs himself to the center of evil, Count Dracula's castle. Meanwhile Dracula, in the village, kills the inhabitants who rescinded their pact, while Van Helsing, inside the castle, is able to definitively eliminate Tania. Dracula, intent on his desire to reunite with his beloved wife, leads Mina, completely hypnotized, to the castle where Van Helsing is waiting. He has decided to engage in a deadly fight with his evil foe. During the struggle Van Helsing loses his gun with the silver bullet and Mina, still under Dracula's spell, gathers it and tries to aid Dracula, but she misses the target and involuntarily kills him. The special silver bullet transforms Dracula into ashes; but his spirit lifts the ashes into the air and uniting, they shape into a large bat with a mocking grin...

And here are the first photos from "Dracula 3D":

SEE MORE PHOTOS

See Also: Hammer Horror Countess Dracula, Van Helsing And Count Dracula Masterpiece Collection Busts / Dracula (Bela Lugosi) Film Cell / New Images And Casting News For DRACULA'S ORGY OF THE DAMNED /Universal Monsters Select - Dracula Action Figure / A New Retro Style Poster For DRACULA'S ORGY OF THE DAMNED / The 100 Greatest Monsters From Movies And Television #10 - #1 / New Behind The Scenes Photos From DRACULA'S ORGY OF THE DAMNED / Vampirella Goes Toe-To-Toe With Dracula/ New Teaser Art And Casting News For DRACULA'S ORGY OF THE DAMNED / BELA LUGOSI'S TALES FROM THE GRAVE Gets Rave Reviews / Universal Monsters - Life Like Stretchable Figures - Complete Set Of Six /Dracula - Dracula's Ring - Collectors Edition - Prop Replica / Dracula - 12 inch Figure - Bela Lugosi As Dracula - Sideshow Collectibles /

The Look Of GREEN LANTERN Important To Film Makers

Source: Warner Bros

As with every superhero movie, the "Green Lantern" filmmakers knew that the fans' greatest concern was likely to be the visual representation of the world they know and love from the comics. Campbell and his creative team, led by production designer Grant Major, set out to make every location from Coast City to Oa, and each character from Abin Sur to Sinestro, just right. To that end, they took pains to faithfully recreate every detail and to enhance the imagery for the big-screen experience.

Co-producer and Green Lantern specialist Geoff Johns declares, "The first time I saw the production art, what they planned to do with the Corps and Oa and the Guardians, I was blown away. It was exactly what anyone who loves Green Lantern would dream of; my dreams for the film were realized when I saw it."

One of the oldest planets in the galaxies, the fictional Oa serves as headquarters for a race of omniscient humanoids who have dubbed themselves the Guardians of the Universe, a supreme court of sorts, who supervise the Green Lantern Corps. Oa also holds the Central Battery, the source of all energy, including the energy for the Green Lantern rings.

"Think of the universe as a sphere divided into 3,600 sectors," Johns explains. "Each sector is a kind of pie wedge, all pointing to Oa."

"Even though Oa is completely digital," Campbell says, "the design had to be organic and believable. And because it is alien, it couldn't be Earth-like in any way; the only thing from Earth would be Hal, when he arrives there. Everything else had to be fantastical, while at the same time plausible."

Major felt one of his tasks was "to make audiences believe that they were on Oa, going through this discovery with Hal. It had to have gravity and weight. We didn't want it to feel like being in a dream, but rather like an alternate reality."

The production designer relied on the film's researcher and resident comic book expert, Ozzy Inguanzo, who compiled everything the filmmakers would need to know to design the film.

"I immersed myself in over 50 years of Green Lantern comics," Inguanzo says, "I worked hard to respect the integrity of the source material and to get even the smallest details into the film, for the diehard fans, and I now include myself among them."

"It was critical to have someone on our team who was aware of everything Green Lantern, and Ozzy was terrific from the word 'go,'" Major says.

Once the overall look of Oa was established, two areas of the planet's vast terrain had to be created: the Citadel, where the Guardians reign; and the Great Hall, where Hal and the audience would get to see the gathering of the entire Lantern federation—and where avid readers of the comics will recognize many of their favorite members of the Corps.

Those integral set pieces would ultimately be accomplished through CGI; however, Major's design team did construct large-scale models of each set to serve as reference points for Campbell's staging of the scenes. The visual effects team then turned the sets into a virtual reality, where the action unfolded.

In addition to the otherworldly places, the effects team was also charged with bringing to life thousands of otherworldly characters, including Tomar-Re, Kilowog and the rest of the Green Lantern Corps. One of the most prominent characters was the Corps' most formidable adversary, Parallax, who was entirely computer-generated.

"It was critical to convey the scope of Parallax's power and malevolence, because his entire existence depends on inducing fear," says John "DJ" DesJardin, who served as a supervisor for the film's numerous visual effects.

Back on Earth, the film would require a number of practical sets as well, which were achieved entirely in and around New Orleans. Major's teams designed and built both Hal's and Hector's apartments, the latter of which Major describes as "the type of space that he probably had as an undergraduate student, but never really left, so there are layers upon layers of his quiet, introverted life all around him."

They also built Ferris Aviation's office suite, which was influenced by the art deco terminal at the area's Lakefront Airport; a party sequence dance floor and stage, for which the production actually utilized the airport exterior itself; and the steely underground bunker laboratory where Hector autopsies the body of Abin Sur, inspired by a visit to NASA and a massive building which houses fuel tanks for the space shuttles.

On a much smaller, but no less significant, scale, Major's art department was also responsible for the design of two iconic props for the story: Hal Jordan's ring and lantern.

Although they'd been careful to adhere closely to the comics for most of the film's design work, Major wanted the lantern to take its cue from the script. "I wanted it to be a bit mysterious, and to look like it originated from Oa," the designer shares. He and key concept illustrator Fabian Lacey, to whom Major credits the final look, drew inspiration for a portion of the lantern from the Fresnel lens, devised in 1823 by the French physicist and engineer of the same name.

"The whole sense of willpower being part of the emotional spectrum, and green representing that particular emotion on the color spectrum, became a component of the lantern, which reflects something of a prismatic lens motif," Major illustrates.

Property master Andrew Petrotta took the final design and created eight copies out of resin, four battery-powered and four electric, each approximately 13 inches high and weighing about eight pounds. He then antiquated them by applying scarring and dark coloring, making them look as though they'd been through battles for eons.


Several ideas were worked through for the Green Lantern power ring, which also incorporated the prism motif. Each one was tried on Ryan Reynolds' hand, to ensure that the size and shape and fit were just so. The actor's opinion was important as they wanted him, like Hal, to feel powerful wearing it, as though he could wield the ring as a weapon.

After a period of trial and error, costume designer Ngila Dickson hit on what became the final look, a perfect balance of power and masculinity. The ring was made from brass, with nickel plating, while the green stone, which carries the Green Lantern symbol, was made from dyed resin, with the intent that it, like the lantern, appear to be a relic from Oa.

Campbell states that "because the ring is one of the most powerful weapons in our 'world,' and such an important part of who Green Lantern is, it was definitely worth the extra effort to get it right."

See Also: Going Nuts At DC Comics / Blake Lively - Hot Actress Profile / New Photos For GREEN LANTERN And HARRY POTTER AND THE DEATHLY HALLOWS - PART 2 / New Photos From GREEN LANTERN

Celebrate The 100th Birthday Of Vincent Price With HOUSE OF WAX in 3D!

Source: Downtown Independent

I just wanted to quickly pass along this information on a special screening of the Vincent Price classic "House of Wax" at the Downtown Independent cinema her in Los Angeles on June 11th.

Here are the details:

The Board of the Vincent Price Art Museum Foundation and the Family of Vincent Price invite you to celebrate
THE ONE HUNDREDTH BIRTHDAY OF VINCENT PRICE and THE GRAND OPENING OF THE VINCENT PRICE ART MUSEUM.

Join us for a 3-D screening of 1953's HOUSE OF WAX starring Vincent Price PLUS "THE LIFE AND ART OF VINCENT PRICE" slide show and talk by Vincent's daughter, Victoria Price.

Proceeds raised will benefit THE VINCENT PRICE ART MUSEUM.

Everyone will receive a set of commemorative 3-D glasses!

TICKET INFORMATION:
$85 VIP tickets or $150 for 2 tickets:
($50 per person is tax-deductible)
includes 6:30PM rooftop pre-screening celebration.
Beer, wine, and culinary selections from A Treasury of Great Recipes by Mary & Vincent Price.
Meet Victoria Price, Museum Director Karen Rapp, and VPAM Board Members.
$25 Tickets for: "The Art & Life of Vincent Price" and HOUSE OF WAX in 3-D.

More Info: http://www.downtownindependent.com/events/the-one-hundreth-birthday-of

See Also: The Fly - Bobble Head Figure / Shock It To Me! Brings Two Classic Vincent Price Movies To San Francisco's Clay Theatre / Vincent Price Presents - A Wonderful Horror Comics Anthology From Bluewater / House of Wax (1953)(Warner Bros)

Bryan Singer Begins Production On 3D Remake Of JACK THE GIANT KILLER

Source: Warner Bros

Principal photography is underway in London on acclaimed filmmaker Bryan Singer's 3D epic action adventure "Jack the Giant Killer," with Nicholas Hoult in the title role of Jack, for New Line Cinema and Legendary Pictures.

"Jack the Giant Killer" tells the story of an ancient war that is reignited when a young farmhand unwittingly opens a gateway between our world and a fearsome race of giants. Unleashed on the Earth for the first time in centuries, the giants strive to reclaim the land they once lost, forcing the young man, Jack, into the battle of his life to stop them. Fighting for a kingdom, its people, and the love of a brave princess, he comes face to face with the unstoppable warriors he thought only existed in legend—and gets the chance to become a legend himself.

Hoult and Singer recently collaborated on the Singer-produced "X-Men: First Class," for release later this year. "Jack the Giant Killer" also stars Eleanor Tomlinson as Princess Isabelle; Stanley Tucci ("Captain America: The First Avenger," "Julie & Julia") as the deceitful Lord Roderick; Ian McShane ("Pirates of the Caribbean: On Stranger Tides," HBO's "Deadwood") as the besieged King Brahmwell; Bill Nighy ("Harry Potter and the Deathly Hallows") as the giants' leader General Fallon; and Ewan McGregor ("Star Wars," "The Ghost Writer") as palace guard Elmont.

Singer will direct from a screenplay by Darren Lemke and Christopher McQuarrie and Dan Studney, story by Darren Lemke & David Dobkin. The film will be produced by Neal Moritz, David Dobkin, Bryan Singer and Patrick McCormick.

The creative filmmaking team includes Singer's longtime collaborators, director of photography Newton Thomas Sigel ("X-Men," "Superman Returns") and editor John Ottman ("X2," "Superman Returns"). The production designer is Gavin Bocquet ("Star Wars: Episode III - Revenge of the Sith").

"Jack the Giant Killer" is filming on location in and around London, and is scheduled for a summer 2012 release.

A New Line Cinema presentation, in association with Legendary Pictures, the film will be distributed by Warner Bros. Pictures, a Warner Bros. Entertainment Company.